Olamide joins force with rising music producer, Eskeez for the delivery of this dope freestyle with the tag “Loose It”.
Eskeez hits rapper Olamide with a banging Afro-Reggae and dancehall beat, which made Baddo loose it!
Yo! eskeez killed the rhythm and burst it… The fast rising producer was on Olamide’s last project – UY Scuti, which is the legend 11th studio album. Eskeez produced the tracks; ‘Jailer’ and ‘Julie’
JAILER is a carribean-infused Jamaican joint that sees Olamide putting together a masterpiece alongside Jaywilz.
Julie samples a little of Gyptian & Nickiminaj’s 2010 global smash hit Hold Yuh, so you already know Julie is a certified love story.
Today the producer not only produced by also feature on the new Olamide’s record. Loose It will make you cool off and loosen up for some fun. It will also get you on the dance floor and definitely make you shake/ whine your waist.
Brymo comes through with a brand new music video for his new track – “Harmattan & Winter”.
Harmattan & Winter is Brymo ‘s first video off the English half of the double album – ‘9′.
Today 9th of September, 2021, the most powerful Afro artist in the world, Brymo released a new project titled “9 Album”. The album came in two-edition; Yoruba version named Esan album, and English side named Harmattan & Winter album.
Visual Concept and story of this track was put together by Brymo, and the Video was Directed by Promise Charles… Watch and Enjoy!
Confidence Survival, a Tanzanian based Reggae Sensation has just launched her first official hit single titled– “Lion“. “Essentially, ‘Lion’ is about pulling through from the worst moments when nobody expects you to rise again, and achieving victory over whatever situation got you there” – Confidence The artist boasts that the single was written, edited, arranged, recorded, mixed and mastered by herself.
Despite all the resistance she faced when working on the project, she persevered and put her all into getting the project where it is today.
“The ‘Lion’ Single is relatable to anyone who has ever struggled. It also applies to me working on the project, being left to juggle multiple things at the same time and still being able to achieve what I have today. That’s the beautiful thing about ‘Lion’, it’s so versatile and timeless. This is just the beginning of me introducing myself to the world and I anticipate them loving this project as much as I do.” – Confidence It is more than inspiring to journey with Confidence as she explores and dominates the music industry and we are excited to receive bigger and better hits from her in the future.
Listen to ‘Lion’ by Confidence and leave your thoughts in the comments section below
Talented singer Jaywon is joined by Seyi Vibez on his new official single “Las Last”, produced by Irockclassic.
Jaywon is back with another afro fusion master piece titled “Las Last” featuring one of fastest growing afrobeat artist in Nigeria Seyi Vibez. This is definitely a vibe!
Iledare Oluwajuwonlo, better known by his stage name Jaywon, is a Nigerian singer, songwriter, performer, producer and actor. He launched his record label named Next World Music in 2013 after his exit from Kennis Music.
On this new Irockclassic-produced-song, mixed and mastered by AJE on-the-mix, OluwaloSeyi and OluwaJuwon says everyone will be okay at the end… ‘What Will Be Will Be‘, Don’t over worry and stress yourself.
On the 29th of August, 2021, GOOD Music and Def Jam Recordings released American rapper and music producer, Kanye West highly anticipated album titled “DONDA”… STREAM HERE!
Kanye West claimed that the album was released without his approval, Donda, his 10th studio album, was named after his late mother Dr. Donda C. West.
Depending on which school of thought you subscribe to, the release of Kanye West’s 10th solo album Donda was either a series of false starts or ingenious promotion by way of three separate stadium-filling Apple Music-exclusive listening events that served to give fans deeper insight into West’s creative process and aesthetic vision. But while announced release dates came and went and became something of a guessing game among fans, the content of the actual final product was rarely in doubt: a 27-track opus that encapsulates nearly all of the music he played over the course of the IRL previews, including multiple versions of several songs.
As presented over the course of his three stadium events (at Atlanta’s Mercedez-Benz Stadium and Chicago’s Soldier Field), Donda was continuously evolving, with West seemingly adding and removing celebrated guest appearances, adjusting sequencing and futzing with the project’s sonic until the very last minutes. All the theatre, intentional or not, makes the case for Kanye West as one of the most skilled musical architects alive.
DONDA is lush and expansive with a consistent gospel undertone, West seemingly including everything and everyone he’s enjoyed over the course of his illustrious career. There are allusions to the roots of his solo material (the funky bassline and Lauryn Hill sample of ‘Believe What I Say’), leaps forward in his decades-long mission to perfect the happy medium between gospel and secular music (“Lord I Need You”, “Pure Souls”), and then the kind of stadium-rap anthems that have made Kanye West live shows some of the most consistently can’t miss events of his era (“Hurricane”, “Praise God”).
Though he declined to officially credit any of the project’s many guests in the tracklist, West sought out a great many of Contemporary rap’s most important (and, in some cases, most contentious) voices, including Lil Baby, Lil Durk, Lil Yachty, Roddy Ricch, Young Thug, Jay Electronica, Travis Scott, The LOX, Kid Cudi, Fivo Foreign, Westside Gunn, Conway The Machine, Playboi Carti, Jay-Z, Shenseea, DaBaby and the late Pop Smoke.
These appearances play mostly as showcases for their respective artistry, their verses not always aligning with the themes of any given collaboration-but with West always setting the table for those moments. Outside of his long-standing religious devotion, West alludes in rhyme to his hopes for the world at large, an unending dedication to his children and even the struggles that led to the much-publicised dissolution of his marriage. It’s the closest thing yet to an open book on one of Pop culture’s most enigmatic figures. But that would imply that there was an editor: Instead Donda is the raw, sometimes unwieldy genius of a man two years and a heap of world-shifting events removed from Jesus Is King, a project about the MC yielding to a power greater than his own. ~ Apple Music
Talented Alternate and Afro artist, Brymo returns with a new album titled “9 – Harmattan & Winter”.
“Harmattan & Winter” is the English half of the double 9 album released today September 9, 2021 by Brymo. The self-acclaimed most powerful artiste in the world feeds us with a classic project.
With a mix of R&B, pop, and African folk, Nigerian singer-songwriter Brymo has balanced love songs and social commentary on a string of albums popular in his home country. Born Olawale Ashimi, He began writing and playing music while in secondary school. He joined friends in a short-lived band called The Aliens before going his own way in 2005.
Influenced by R. Kelly and Backstreet Boys, Brymo honed a smooth R&B sound on his first album, 2007’s Brymstone. His second album, 2012’s The Son of a Kapenta (a reference to his father’s work in carpentry), was a blend of fuji music, electronica, and pop. Nigerian Entertainment Today extended the woodworking metaphor, praising the LP as “a well-polished, solid piece of auditory furniture.”
Brymo’s third album, 2013’s Merchants, Dealers & Slaves, has been read as an allegory for the political and culture climate in Nigeria. After releasing his fourth album, Tabula Rasa, in 2014, Brymo took a racy turn on his fifth LP, 2016’s Klitôris, an album rooted in the sounds of Yoruba music, Afrobeat, and soul.
Brymo’s 2018 release Osó mostly comprised ballads influenced by Apala and Yoruba music, while his 2020 LP Yellow was a more electronic album with elements of trap and shoegaze.
Amid his solo outings, Brymo joined the alternative rock band A.A.A., which released a self-titled five-song EP in 2019.
His last project- Yellow album examines life, love, society and scenarios in three different parts. Brymo follows it up with this new 9 – Harmattan & Winter album, which consist of 9 English version tracks.
Talented/Gifted Alternate and Afro artist, Brymo returns with a new album titled “9 – Esan”.
This “Esan” is the Yoruba half of the double 9 album released today September 9, 2021 by Brymo. The self-acclaimed most powerful artiste in the world feeds us with a classic project.
With a mix of R&B, pop, and African folk, Nigerian singer-songwriter Brymo has balanced love songs and social commentary on a string of albums popular in his home country. Born Olawale Ashimi, He began writing and playing music while in secondary school. He joined friends in a short-lived band called The Aliens before going his own way in 2005.
Influenced by R. Kelly and Backstreet Boys, Brymo honed a smooth R&B sound on his first album, 2007’s Brymstone. His second album, 2012’s The Son of a Kapenta (a reference to his father’s work in carpentry), was a blend of fuji music, electronica, and pop. Nigerian Entertainment Today extended the woodworking metaphor, praising the LP as “a well-polished, solid piece of auditory furniture.”
Brymo’s third album, 2013’s Merchants, Dealers & Slaves, has been read as an allegory for the political and culture climate in Nigeria. After releasing his fourth album, Tabula Rasa, in 2014, Brymo took a racy turn on his fifth LP, 2016’s Klitôris, an album rooted in the sounds of Yoruba music, Afrobeat, and soul.
Brymo’s 2018 release Osó mostly comprised ballads influenced by Apala and Yoruba music, while his 2020 LP Yellow was a more electronic album with elements of trap and shoegaze.
Amid his solo outings, Brymo joined the alternative rock band A.A.A., which released a self-titled five-song EP in 2019.
His last project- Yellow album examines life, love, society and scenarios in three different parts. Brymo follows it up with this new 9 – Esan album, which consist of 9 Yoruba version tracks.
